10/13/09

Ken Jacobs: Sign of the Times


The Sunday edition of the New York Times had a great review of Ken Jacobs' work, including his newest piece for the Nervous Magic Lantern: Towards the Depths of the Even Greater Depression.

Did I mention that few are more gifted with titles than Jacobs? At his best--for instance, Ken Jacobs' Theater of Unconscionable Stupidity Presents Camera Thrills of the War--he is, arguably, second only to Mingus.

10/9/09

Ken Jacobs in Los Angeles

Ken Jacobs, best known for rending space and time in his cinematic performances, digital videos and 16mm films, will be in Los Angeles for a full week of screenings and performances. If you have never seen a Jacobs film or his truly-indescribable Nervous Magic Lantern, buy a ticket, grab a seat and strap in. If you're already an admirer, now's your chance to catch up on the recent outpouring from this prolific artist.

Scott Foundas has a great review of Jacobs' new work in the LA Weekly. My own writing on Jacobs' cinema can be found here.

Toward The Depths of The Even Greater Depression, a Nervous Magic Lantern performance at REDCAT on Monday, October 12, at 8:30 p.m.

An evening of Jacobs’ new and recent work screens at the UCLA Film & Television Archive at the Billy Wilder Theater on Thursday, October 15, at 7:30 p.m.

The Whirled
screens together with Aza Jacobs’ The GoodTimesKid at Los Angeles Filmforum at the Egyptian Theater on Saturday, October 17, at 7:30 p.m.

Anaglyph Tom (Tom with Puffy Cheeks) screens at Los Angeles Filmforum at the Egyptian Theater on Sunday, October 17, at 7:30 p.m.

Photo: Ken and Flo Jacobs in their New York City home.

9/24/09

A Benning Miniature



James Benning's Fire & Rain, which is the trailer for the Viennale.

8/25/09

8/12/09

First As Tragedy, Second As Farce II

Conservatives pick up Saul Alinsky's Rules for Radicals.

A Familiar Voice In The Health Care Battle

Cracked Looking Glass

Fox News recently impugned the NEA and by extension the entire stimulus plan for allowing $25,000 (out of more than $750 billion) to fund an art theater in San Francisco. It is not entirely clear from their report whether Fox is offended by the work the theater shows or the fact that it is in San Francisco:
http://www.foxnews.com/search-results/m/25551964/perverts-put-out.htm

The theater in question, the San Francisco Cinematheque, is one of the longest running and most well respected venues for experimental film in the country. The list of people involved with the Cinematheque over the years is a virtual who's who of West Coast experimental film: it's founding members, Bruce Baillie and the late Chick Strand, are widely considered two of the most important experimental filmmakers in California and former directors have gone on to head the cinema departments at major American universities and art schools. Likewise, the Cinemathque's exhibition history covers nearly every major American experimental filmmaker. In 1998, the Cinematheque collaborated with the Museum of Modern Art in New York on an unprecedented exhibition called Big As Life--50 programs of small gauge cinema (8mm and super-8) from the American avant-garde.

Below, you can hear the soundtrack that Fox News described as "so offensive... we could barely find anything in the trailer that was suitable to put on TV and we definitely cannot air the audio."

8/10/09

8/8/09

Tormenting The Poor


Barbara Ehrenreich's Sunday column for this week's edition of The New York Times is an absolute must-read. Like her groundbreaking and controversial Nickel and Dimed, Ehrenreich simply and eloquently describes how cruelly the deck is stacked against the poor in this country, from minor drug violations that are exacerbated by lack of proper legal council to struggling to pay rents on minimum wage.

This column, however, explains how new laws, such as forbidding the feeding of homeless in public places, creates an atmosphere of intolerance to those not only without basic human needs, but to charitable causes which may help alleviate the problem. Where trillions of dollars bail out insolvent banks, gravely irresponsible insurance companies, and investment companies which haven't even thanked the American people for saving their trade, the poor, without sufficient work, shelter, food, or dignity are forgotten. The most damning revelation is in this short paragraph:
Some of the community organizers I’ve talked to around the country think they know why “zero tolerance” policing has ratcheted up since the recession began. Leonardo Vilchis of the Union de Vecinos, a community organization in Los Angeles, suspects that “poor people have become a source of revenue” for recession-starved cities, and that the police can always find a violation leading to a fine. If so, this is a singularly demented fund-raising strategy. At a Congressional hearing in June, the president of the National Association of Criminal Defense Lawyers testified about the pervasive “overcriminalization of crimes that are not a risk to public safety,” like sleeping in a cardboard box or jumping turnstiles, which leads to expensively clogged courts and prisons.

It never amazes how the poor, brought down by excessive debts, which sometimes just go to basic services like rent or (what is treated like an essential but is billed as a luxury) education are the last to rebound. and pay the biggest price for inequalities that the ruling class perpetuates. Then they're punished with "zero tolerance" laws passed by those who pretend poverty and inequality are nonexistent. If anything, this recession exposed one thing: how woefully unaware and unprepared the middle and upper classes are for the living conditions that most Americans call Everyday Life.

The above photo, titled Pan, is by esteemed photographer and friend Brian Carroll, from his Flickr photo stream.